Last edited by Vikus
Friday, April 24, 2020 | History

2 edition of motets of the manuscripts Chantilly, Musée Condé, 564 (olim 1047) and Modena, Biblioteca estense, a.M. 5, 24 (olim lat. 568). found in the catalog.

motets of the manuscripts Chantilly, Musée Condé, 564 (olim 1047) and Modena, Biblioteca estense, a.M. 5, 24 (olim lat. 568).

MusГ©e CondГ©. BibliothГЁque.

motets of the manuscripts Chantilly, Musée Condé, 564 (olim 1047) and Modena, Biblioteca estense, a.M. 5, 24 (olim lat. 568).

Edited by Ursula Günther.

by MusГ©e CondГ©. BibliothГЁque.

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  • 11 Currently reading

Published by American Institute of Musicology in [N.p.] .
Written in English

    Subjects:
  • Part-songs, Sacred -- To 1800,
  • Part-songs, French -- To 1800

  • Edition Notes

    SeriesCorpus mensurabilis musicae -- 39
    ContributionsGünther, Ursula, 1927-, Modena. Biblioteca estense. MSS. (a.M. 5, 24) Selections
    Classifications
    LC ClassificationsM2 C46
    The Physical Object
    Pagination[score]
    ID Numbers
    Open LibraryOL17273451M

    [Chantilly, Musée Condé, Ms. () XIV-D]. Rimado de la conquista de Granada. Edición facsímil integra del manuscrito () XIV-D de la biblioteca del Museo-Condé, castillo de Chantilly (Francia). Colección Artísticos, Madrid: EDILAN, 15 x 22 cm, , pp. Commentary by Estrella Ruiz-Gálvez Priego. 2 In drawing parallels between the “purely mathematical” attitude of “Boulez and his partisans” and ars nova motets, Chailley was not doing either repertory a favor. As a composer, he preferred more conservative techniques, and used serialism only in the service of satire. For example, in ‘Diafoirus père et ils’ in his Suite sans prétention pour Monsieur de Moliére ().


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motets of the manuscripts Chantilly, Musée Condé, 564 (olim 1047) and Modena, Biblioteca estense, a.M. 5, 24 (olim lat. 568). by MusГ©e CondГ©. BibliothГЁque. Download PDF EPUB FB2

564 book Chantilly Codex (Chantilly, Musée Condé MS ) is a manuscript of medieval music containing pieces from the style known as the Ars is held in the museum at the Château de Chantilly in Chantilly, Oise.

Most of the compositions in the Chantilly Codex date from ca. – There are pieces total, mostly by French composers, and all of them polyphonic. The Motets of the Manuscripts Chantilly, Musée condé, (olim ) and Modena, Biblioteca Estense, a.

5, 24 (olim lat. Corpus mensurabilis musicae [n.p.]: American Institute of Musicology, Günther, Ursula. "Unusual Phenomena in the Transmission of Late Fourteenth-Century Polyphonic Music".

Musica disciplina 38 (). The Motets of the Manuscripts Chantilly, Musée condé, (olim ) and Modena, Biblioteca estense, a. 5, 24 (olim lat. Corpus mensurabilis musicae Cited by: 6.

The motets, which are significantly placed at the end of the manuscript, are in some cases liturgical, in others definitely secular. Three works in cantilena style, two Ballades and one Virelai, have Latin texts, and appear 11 Cf.

particularly the mss Mod and Turin, Bibl. Naz. I, ii. 9 (TuB). The subject. Stanford Libraries' official online search tool for books, media, journals, databases, government documents and more.

Corpus Mensurabilis Musicae, vol. The Motets of the Manuscripts Chantilly, musée condé, (olim ) and Modena, Biblioteca estense, alpha. 5, 24 (olim motets of the manuscripts Chantilly.

Edited by U. Günther. American Institute of Musicology LXV, 70 S. Text und Noten. [BOOKS ON MUSIC]. Seller Inventory #. The facsimile edition contains 10 individual facsimile leaves from 10 different manuscripts. Très Riches Heures (/16; nach Frankreich), fol.

5v: Kalenderblatt Mai. Ingeborg-Psalter (umNordfrankreich), fol. 14v, die Wurzel Jesse.The Motets of the Manuscripts Chantilly, Musée Condé, (olim ) and Modena, Biblioteca Estense, α M. 5, 24 (olim lat. ), CMM 39 (N.p., ), no. 3; the sense of the triplum is no doubt correctly paraphrased at pp.

xxiv f, but translation is impossible. The most significant among the so-called Ars Subtilior Mss. is the codex which today lies in the Musée Condé in Chantilly. Recent research suggests that the repertory of this codex originated in South-Western France, insofar as this is not part of the general French repertory of the time.

Sub Arturo plebs – Fons citharizantium – In omnem terram is an isorhythmic motet of the second part of the 14th century, written by an English composer known by the name of Johannes Alanus or John Aleyn. It stands in the tradition of the Ars nova, the fourteenth-century school of polyphonic music based in is notable for the historical information it provides motets of the manuscripts Chantilly contemporary.

Medieval manuscripts show the beauty of drawing with words - TeleRead: News and views on e-books, libraries, publishing and related topics See Philippus de Caserta pictures, photo shoots, and listen online to the latest music.

All pink. With occasional splashes of pink. Because I am madly in love. Calligram - Chantilly, Musée Condé, pins. Hours of Étienne Chevalier. Chantilly, Musée Condé Paris, Bibliothèque Nationale de France, Ms. nouv. acq.

lat. Paris, Musée du Louvre, M.I. and R.F. The song is preserved in Chantilly, Bibliothèque du Musée Condé, MS (formerly ), fol.

59r, the famous ‘Chantilly Codex’. The book contains items (thirteen motets and ninety-nine songs, including ten by Solage), most of 564 book very complex and written in an intricate notation.

The Chantilly manuscript, Musée Condéboth celebrated and notorious for the extremely complicated notation of the ars subtilior,but also admired for the decorative aspect of some of its pages, comprises, in the five fascicles of its original corpus, seventy ballades,seventeen rondeaux,twelve virelaysand thirteen isorhythmic motets, all of them compositions of the second half of the.

Chantilly. Le cabinet des livres. Manuscrits by Musée Condé. Bibliothèque; Aumale, Henri d'Orléans, duc d', Publication date Topics Manuscripts, Manuscripts Publisher Paris: Plon, Nourrit Collection robarts; toronto Digitizing sponsor University of Toronto Contributor.

The Motets of the Manuscripts Chantilly, Musée Condé, (olim ) and Modena, Biblioteca estense, alpha M. 5, 24 (olim lat. ), edited by Ursula Günther, Neuhausen, American Institute of Musicology et Hänsler-Verlag (Corpus mensurabilis musicae, 39),lxv + 69 p.

The Château de Chantilly and Conde Museum stand in the centre of a vast estate covering 7, hectares; the château and estate have been built up by the owners of Chantilly since the Middle Ages. The Musée Condé is home to a collection which is rivaled in terms of size only by that of the Louvre; it contains: over 1, paintings, 2, / The Motets of the Manuscripts Chantilly, Musée Condé, (olim ) and Modena, Biblioteca Estense a.M (olim lat.

Rome: American Institute of Musicology, ———. “Problems of Dating in Ars Nova and Ars Subtilior.” In L’Ars nova italiana del Trecento IV.

Agostino Ziino. Each chapter examines a particular body of work: the interpolated Roman de Fauvel, the works of Guillaume de Machaut, the motets of the Ivrea and Chantilly manuscripts, and finally those of Manuscript Torino In each case, looking at the use of citation and allusion connects to other concerns.

Greene, Gordon Kay, ‘The Secular Music of Chantilly, Manuscript Musée Condé (Olim )’. Ph.D., Indiana University, Günther, Ursula, ‘Unusual Phenomena in the Transmission of Late 14th Century Polyphonic Music’.

Musica Disciplina 38 (): MEDIEVAL SONG LATIN SONG MONOPHONIC SONG PLANCTUS SONGS ASSOCIATED WITH DRAMAS SOURCE:Chantilly, Musée Condé SIGLA: Ch U.

Günther, The Motets of the Manuscripts Chantilly, musée Condé, (olim ) and Modena, Biblioteca Estense, a. The Chantilly Codex is a manuscript of medieval music containing pieces from the style known as the Ars is held in the museum at the Château de Chantilly in of the compositions in the Chantilly Codex date from ca.

– There are pieces total by French composers, all of them polyphonic; the codex contains examples of many of the most popular courtly dance.

The Chantilly manuscript, Musée Condéboth celebrated and notorious for the extremely complicated notation of the ars subtilior, but also admired for the decorative aspect of some of its pages, comprises, in the five fascicles of its original corpus, seventy ballades, seventeen rondeaux, twelve virelays and thirteen isorhythmic motets.

The Motets of the Manuscripts Chantilly, Musée Condé, (olim ) and Modena, Biblioteca Estense a.M (olim lat. Rome: American Institute of Musicology, ———. “Problems of Dating in Ars Nova and Ars Subtilior.” In L’Ars Nova Italiana del Trecento IV.

Agostino Ziino. Biblical art in the collection of Musée Condé, Chantilly, featured on this site. The Motets of the Manuscripts Chantilly, Musée condé, (olim ) and Modena, Biblioteca estense, a.

5, 24 (olim lat. Corpus Mensurabilis Musicae [full citation needed]: American Institute of Musicology. Unaltered reprint, Günther, Ursula. "Die Ars subtilior".

Hamburger Jahrbuch für Musikwissenschaft – The motet is known from three contemporary manuscript sources. One is Codex Chantilly, Musée Condé Ms. (olim ), probably an Italian copy written afterof a French original compiled around This codex contains 99 polyphonic chansons and 13 motets from the repertoire of the French Ars nova and Ars subtilior.

André le nôtre and the gardens at chantilly in the 17th and 18th centuries (extrait) Published on Exposition présentée au Jeu de Paume, Domaine de Chantilly. Manuscript Musée Condé MS.9 Ingeborg Psalter Folio Dating From North, France Holding Institution Musée Condé.

The Motets of the Manuscripts Chantilly, musée condé, (olim ) and Modena, Biblioteca estense, a. 5, 24 (olim lat. Corpus mensurabilis musicae.

Neuhausen nr. MUSEE CONDE, CHANTILLY. Residing in the Chateau of Chantilly, the Condé Museum is one of the finest jewels in French heritage. The library holds an exceptional collection of manuscripts, the most famous being Les Très Riches Heures from the Duc de Berry and drawings by Clouet and other major artists.

The Duke d’Aumale, the last owner of the. Musée Condé, Château de Chantilly, France. Les Très Riches Heures du Duc de Berry is without doubt the most sumptuous and splendid book ever created.

About the yearThe Duke of Berry entrusted Paul Limbourg and his brothers with the illumination of the Très Riches Heures. Other manuscripts F-CH Chantilly, Bibliothèque du Château, Musée Condé F-Pa Paris, Bibliothèque de l’Arsenal F-Pn fr. Paris, Bibliothèque nationale de France, fonds français F-Pn lat.

Paris, Bibliothèque nationale de France, fonds latin Music: Manuscript Chantilly, Musée CondéSecond Part, Polyphonic Music of the Fourteenth Century19(Monaco,),noLawrenceEarp,GuillaumedeMachaut:AGuidetoResearch,Gar-land Composer Research Manu Garland Reference Library of the Humanities (New York,Cited by: 2.

A paper showing that the music’s functional, contrapuntal aspect can significantly inflect the meaning of the texts that it delivers. This article argues that our modern experience of songs and singing, whether expert, amateur, or entirely uninformed and passive, is almost completely misleading when it comes to appreciating the singing of late-medieval lyric.

The Motets of the Manuscripts Chantilly, Musée condé, (olim ) and Modena, Biblioteca estense, a. 5, 24 (olim lat.

Corpus Mensurabilis Musicae Corpus Mensurabilis Musicae Neuhausen: American Institute of Musicology. 14 Nov - Explore cinnamonpebble's board "Books and Bibliophilia", which is followed by people on Pinterest.

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the Chantilly Codex (Chantilly, Musée Condé ) and the Oxford manuscript (Bodleian Library, Canon. Misc. ) - to include the viewpoints of performers and listen-ers, as well as a traditional compositional perspective. In so doing Upton spins an ornate interdisciplinary web as she views the manuscripts as artifacts of material culture'.

[S.l.]: Musique En Wallonie, Description Music recording — 1 sound disc (64 min., 49 sec.): digital ; 4 3/4 in. Summary.The Polyphonic Music in the Guatemalan Music Manuscripts of the Lilly Library.

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